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When I put a vintage dress on, it just has this timeless quality that you can't replicate." A perk of the job for a model who regularly graces the pages of Vogue and walks the runways of Tom Ford and Marc Jacobs: expert guidance. Legendary downtown New York designer Anna Sui would see Elson rummaging for pieces when she lived in Manhattan before moving to Nashville with White, and taught her the ins and outs of scavenging. "She helped me figure out what good vintage was and where to shop. There's a real distinction between just a ratty old cotton dress and a beautiful, first-class vintage dress." Elson's home also includes an attic full of garments from her Nashville shop Venus and Mars, which she closed in 2010. "I realized that a lot of people in Nashville might want to find a beautiful dress for the night out, but they are not really as interested in the magical vintage 1920s dress as I am; they wanted a good rock T-shirt, and I didn't have any of those," she admits. Whether onstage, where she favors vintage slip dresses or vintage-inspired frocks from The Vampire's Wife, a line by Nick Cave's wife Susie Cave, or during downtime (today she is wearing a pleated dusty rose crepe-silk vintage skirt paired with a black vintage camisole), Elson is still most at home in garments that are from or evoke earlier eras. "There's mystery in it -- you don't know where it is from, you don't know what story it has had -- and there's a charm to it. Sure, me in jeans and a T-shirt is fine, but it's not me in a beautiful vintage dress." Elson finds her treasures, which can cost a few hundred dollars and up, wherever she goes. While in Milan during Fashion Week in 2016, she picked up a '70s-era Valentino number at Cavalli e Nastri (a fashion-world favorite vintage store she deems "next level") that she wore to Mumford & Sons guitarist Winston Marshall and friend Dianna Agron's wedding in Morocco. A stunning deep blue เสื้อผ้าเด็ก ชาย velvet dress she scored at the now-shuttered Virginia Bates shop on London's Portobello Road -- where John Galliano and Donatella Versace were regulars -- was so delicately aged that raindrops shredded it when she wore it to another wedding in Kauai, Hawaii.
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That is, the lightweight, slightly puckered cotton that comes with a bumpy surface texture, thanks to the fact that the fabric is designed to bunch in places. All of which, technical details aside, means that the material floats away from the body and allows a certain degree of breathability. In short, you wont look beetroot-faced as the temperatures soar at your average summer afternoon wedding, regatta or garden party. View photos Linen boat shoes 67, sperry.com More The issue is the degree of tweeness associated with seersucker; against an English summer backdrop, it can look achingly Wind In The Willows, or as if youre about to welcome folks aboard a Mississippi riverboat. Theres an inherently vintage feel to seersucker in its traditional form (that is, in pale blue and white stripes), which is why it was refreshing to note a more contemporary incarnation of the fabric last summer in Milan, a sleek black suit on a pristinely stylish fashion director of a mens style bible; no Deep South plantation owner theatrics here. View photos Wooyoungmi shorts 255, mrporter.com More The fabric has a history as chequered as its appearance; it evolved during the British colonial era in India as a solution to the hot weather that also offered a smart appearance. The material also became synonymous with the deep south (until 2012, the US Senate held Seersucker Thursday), its roots in a quaint vision of Americana are myriad; a variation of the fabric was traditionally worn by blue collar workers. In a rather perverse role-reversal akin to Chanel adopting fishermens jersey fabrics to make dresses for the wealthy, it was then adopted by the preppy East Coast elite as a summer event dressing essential. View photos
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